Fabiola Larios (b. 1986) is a Mexican interdisciplinary artist based in Miami currently in residence at Bakehouse Art Complex. Her work explores the aesthetics and politics of surveillance, self-representation, and obsolescence in the digital age. Through installations that fuse e-waste, glitter, vintage electronics, and bedazzled surveillance cameras, Larios critiques how identity is shaped by algorithmic systems and economies of visibility. Her work has been featured in several group exhibitions, including Sea Change at Pérez Art Museum Miami (Miami, Florida, 2024), CONTINUUM at the National Museum of Art of Guatemala (Antigua, Guatemala, 2024), and PrincessCam Dreamland at The Walgreens Project by The Bass x Bakehouse (Miami Beach, Florida, 2024), as well as Planetary Atoll: Connecting Latin-American Dots at PANKE Gallery (Berlin, Germany, 2022), Face Control at Fundación Foto Colectania (Barcelona, Spain, 2021), and Creación en Movimiento at Centro Cultural Los Pinos (Mexico City, Mexico, 2022). Larios was awarded the Jóvenes Creadores grant in New Technologies by Mexico’s Ministry of Culture in 2021. And got recently selected for NoVacancy 2025 at the Riviera Suites Miami Beach.